Tanaaz Bhatia, Bottomline Media on the meeting ground of entertainment & marketing

Tanaaz Bhatia, Bottomline Media on the meeting ground of entertainment & marketing
Tanaaz Bhatia, Bottomline Media on the meeting ground of entertainment & marketing

Tanaaz Bhatia of Bottomline Media, who has developed promotional campaigns for Ra.One, branded content material akin to What Women Want, and way more, talks about film marketing, in-show product integrations, and the goal of influencer collaborations.

“If you see one thing repeatedly, you get bored of it. Marketing is all about innovation,” says Tanaaz Bhatia, Founder & MD, Bottomline Media. Innovation can also be an vital half of model and product integrations, which have turn out to be a seamless half of the media panorama with the rising quantity of entertainment exhibits on OTT platforms.

The Indian panorama of net and OTT platforms have embraced these integrations with open arms. While model consciousness, forging connections, and constructing model loyalty are a couple of of the observational aims. Diving a bit deeper into this territory, Bhatia shares why the manufacturers combine themselves into these content material items, and what the events concerned achieve out of this.

Bhatia states that when woven into the story seamlessly and matched with the content material’s idea, it turns into straightforward and fascinating to speak about the product’s advantages. This works higher versus a recitation of product options. Although it relies upon on the integration into the script and the way natural you may make it if you speak about the product.

She cites the instance of What Women Want, a Talk Show hosted by Kareena Kapoor Khan.

“Out of the a number of model integrations we did, one of them was American Pistachio, which is principally a wholesome nut. Health & Wellness of ladies is one of the vital subjects the present touches upon, and this model was built-in in such a manner that we spoke about the advantages of the product, but it surely nonetheless remained genuine and true to the targets of what the present stood for.”

She cites an identical instance of the common OTT present Koffee With Karan. She mentions that the present is all about magnificence, luxurious, and unconstrained conversations. and the units and ambiance are visually interesting.

“Karan stands for luxurious and opulence. So when the Jaquar lights come on, it’s a highlight second for the model,” says Bhatia.

The two parameters that she at all times weighs the integrations on are… “The model needs to be a pure extension of what the present stands for and we should always have the ability to combine it organically.”

She additional elaborates that the viewers are capable of distinguish sponsored segments, however they need to not go, ” What the hell are these guys speaking about?” “All the manufacturers built-in into the present Dream Homes With Gauri Khan lent itself to the present, and the model’s messaging was interactive. It has to circulate organically into the content material.”

Also Read: Native promoting on OTT Content – Product placements get extra natural

Innovation In Movie Marketing

Movie marketing has been an evolving house with digital transformations and technological developments that purpose to maintain tempo with altering shopper behaviors. Trailers, posters, and outside commercials at the moment are complemented by a digital presence. Influencer marketing, dance challenges, and interactive campaigns have tried to reinforce the marketing actions however a majority of the campaigns have fallen right into a typecast.

When we glance again at Ra.One, one of the costliest Hindi movies made at the time of its launch, it was additionally accompanied by one of the longest-running campaigns that included model collaborations, a 3,600-feet lengthy fan mail path, gaming match with Nvidia, multi-city excursions, Live Chats, interactive recreation on Facebook, and a sturdy presence on social networks akin to YouTube and Google+, and merchandising.

Discussing innovation on this marketing marketing campaign, which was forward of its time, Bhatia states that when the firm was based inside the first three years there have been a number of ‘firsts’ in the campaigns helmed by the firm. For occasion, merchandising with Ra.One and the collaborations with McDonald’s for a Happy Meal. And that is the place Bhatia emphasised the want for innovation as a result of yearly it’s a must to innovate or folks get bored.

She cites the instance of Barbie which is basically a easy film relating to the storyline however has gone all out with model collaborations proper from clothes & attire to creating an Airbnb expertise the place you’ll be able to truly keep in Barbie’s home. Barbie has collaborated with over 100 manufacturers from numerous industries and allotted the most intensive marketing marketing campaign of the 12 months.

“You push the envelope and go a couple of steps additional. In something you do with no matter means you may have, it’s a must to innovate and you’ll’t preserve repeating what’s already performed. The manner you create your on-line technique does have a big impression on the manner the film audiences are enticed to go to the theatre,” she provides.

Bhatia believes connecting with the audiences once they go to the motion pictures actually works, as a result of it entices folks to go and watch the movie, and mirrors their expertise. She additionally shares her two cents on the rise of influencer collaborations with manufacturing homes to advertise motion pictures launched in theatres. She reckons that they will not be as impactful in pushing audiences to go to the theatre and watch the movie, however they make a substantial contribution to selling the music.

Concluding the meeting ground of the two worlds of entertainment and marketing, she additional provides that marketing in the entertainment vertical is a rising avenue and has a number of integration factors right this moment. Consumers have gotten sensible and we additionally must preserve the integration of the film in addition to the model, and never make the viewer go, “Oh my lord, what did I simply watch!”


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