Online video: between evolution and disruption

Online video: between evolution and disruption

The time period “disruption” is often related to enterprise. 
In this context, “disruption” refers to more and more sooner adjustments and evolutions in the best way of doing, decoding, and pondering in comparison with the previous. Especially at present, this time period is usually utilized in discussions associated to expertise innovation and digital expertise, a world that, as everyone knows, has and continues to expertise huge change.  
But why are we speaking about “disruption”? In this submit, we’re inserting this idea within the context of having fun with on-line video: from YouTube to social media, to streaming platforms.   
“Disruptive innovation” is an expression coined by the American Harvard educational and economist Clayton Christensen, and refers back to the impact of a brand new expertise or a brand new means of working on a enterprise mannequin, which completely alters the earlier market logic, introducing new behaviors and interactions (supply: ilsole24ore.com). 
 

 
How has the best way that customers take pleasure in content material modified? 
The world of on-line video, which incorporates audiovisual content material normally but in addition creative, cultural, and leisure content material, has undergone a serious evolution following the massive push from digital applied sciences. This push is more and more towards a multichannel strategy.  
These new applied sciences enable us to entry all types of content material, “because of the web and the best way it transforms info into liquid content material that may be conveyed by means of all channels and reconverted into all bodily types when wanted” (supply: agendadigitale.eu). 
Digital applied sciences make it potential for us to entry any form of content material at any time and in anyplace. While at present this may increasingly appear each apparent and important, we should keep in mind that this has solely been “regular” for just some many years.  
There is a lot info dedicated to this matter, so we’ll attempt to go so as and rely primarily on knowledge to display this variation and acceleration. Let’s begin with the big significance and scope that on-line video holds in our current, each inside companies and in our day by day lives.  
 

 
Online video inside companies
That video has change into the quintessential on-line content material is now frequent data. Being a part of a enterprise and adopting a video advertising and marketing technique is an effective way to get seen out there and we’ve got the statistics to show it. 
Let’s begin by saying that the demand for on-line video is steadily rising, in actual fact:  

54% of customers wish to see extra video content material from a model or firm they help (supply: Hubspot).

This statistic isn’t about mere leisure; in actual fact, we’re speaking about actual model content material. The model is not merely who we determine to purchase a services or products from, however an actual reference level, whose concepts and values we share, and even a supply of inspiration or perhaps a lifestyle.  

88% of entrepreneurs are glad with the ROI generated by video advertising and marketing on social media (supply: Wyzowl). 
Video entrepreneurs get 66% extra certified leads per 12 months (supply: Optinmonster). 
8 out of 10 customers bought a software program or app after watching a model video (supply: Wyzowl). 
In 2022, 82% of world web visitors will come from streaming and downloads (supply: Cisco). 
In 2021, after the second lockdown, video consumption developments soared (+82%) (supply: Comscore). 

We might go on and on, however these statistics help the earlier sections in addition to what we’ll focus on within the following ones.  
Online movies in on a regular basis life  
Over the previous three years–it’s no coincidence that this corresponds to the latest Covid-19 interval – there was a considerable enhance within the Italian digital viewers, reaching a penetration of 75% of Italian adults (supply: Sensemakers). 
As we talked about, to a big extent, the pandemic interval contributed to a disproportionate enhance within the enjoyment of on-line content material, particularly on-line video, and it additionally modified the best way it’s loved.  
In quick, the pandemic has accelerated the digitization course of in all areas, and the result’s that younger individuals are the “heavy customers” of the Internet. This isn’t shocking: disinterested in TV packages that, regardless of how arduous they attempt to come throughout as “youthful”, at all times have a tendency to draw the eye of the infant boomer era (age 50-70), the very younger have taken refuge on the earth of on-line video: by means of social media, YouTube,  and streaming platforms.  
According to knowledge collected by Sensemakers on the interval from January to November 2021, the time spent on-line every day, in hours, by age group has elevated considerably for these 18-24 years previous. This is 22% greater than in the identical interval in 2019. 
Consider that YouTube alone reaches 21 million individuals between the ages of 25 and 54 each month. We’re speaking about 88% of the Italian inhabitants on this age group. Time spent on YouTube is greater than 35 minutes per day, along with a 75% enhance within the time customers watch YouTube on TV screens, including Smart TVs into the vary of units. But we’ll get so far within the subsequent part (supply: thinkwithgoogle.com).  
It’s clear that there was a rise in time spent on-line, notably throughout lockdown intervals,  throughout all age teams. In the post-lockdown section, it’s primarily the younger and the previous who’re experiencing the best progress. 
Online video and cellular 
We usually discuss concerning the want for all content material, whether or not on-line video or in any other case, to be optimized for cellular, at a time after we are quickly shifting towards a mobile-first perspective.  
Mobile is concentrating time spent, notably in using cellular apps that now account for three-quarters of time spent on-line, beginning with the principle social networks, on-line messaging, and YouTube (supply: Sensemakers). 
Suffice it to say that, in Italy, the variety of smartphones seems to be increased than that of the inhabitants: about 80 million units for 60 million individuals (supply: Ansa). 
Increasingly bigger cellular machine screens – to get a greater view of the content material we watch — and the variety of apps out there for each desktop and cellular and even, at instances, cellular solely, are greater than clear indicators.  
It’s on this wave of digital evolution that we wish to shift the main target to a well timed matter that reveals one other face of on-line video content material, which is not restricted to social networks and YouTube however consists of streaming platforms, that are experiencing fixed progress. 
Italians and streaming platforms
As at all times, to show our level we current knowledge, which once more, appear unequivocal. The progress of digital video streaming (+52% Y/Y) is much larger than that of linear TV (+11% Y/Y), to not point out the event of Smart TVs, that are utilized by 78% of heavy customers of on-line video, that are spent in streaming 52% of the time. 
In addition, ordinary consumption (+7 proportion factors between the primary and second lockdown) and the variety of likes for “Subscription Video On Demand” (SVOD) providers (with a mean score above 8) has additionally elevated. 
Although it had predecessors, till a couple of years in the past, we related “streaming” with Netflix.  
In Italy, the highest seven paid video streaming providers management 91% of the market. This is what emerges from Just Watch statistics concerning the third quarter of 2021. Netflix and Prime Video dominate the scene, with 28% of market share for Netflix and 27% for Prime Video (supply: Just Watch). 
But what’s the reason for this huge acceleration of video streaming? 
Acceleration of video streaming 
As we talked about, video streaming has accelerated tremendously, and we’ve got recognized 5 causes. 

The pandemic from Covid-19 has accelerated the adoption of video streaming platforms. 
There is a restrict to the variety of providers that individuals are keen to pay for, however ad-supported providers reminiscent of YouTube or VVVID are at all times there and free. 
Creator-driven content material is on the rise, with YouTube main the best way. 
What individuals watch, and how they discover it, is altering. Compared to final 12 months, many extra individuals are keen to look at longer format content material. 
Despite a slight discount, it seems that the top of the pandemic has not resulted in a dramatic drop in subscriptions (supply: thinkwithgoogle.com).  

The curious issue is how, regardless of latest value will increase on the assorted platforms, the variety of Italian subscribers is near 33 million, a determine that’s rising. There are at the moment 7.9 million distinctive subscribers for OTT pay video platforms, of which now virtually half (45% to be exact) subscribe to 2 or extra platforms. 
It’s clear that the pandemic has solely accelerated a path that was already set in movement, one the place the general public more and more prefers a number of methods to take pleasure in on-line video, TV collection, and motion pictures, unconstrained by time, place, and machine. 
Not solely are the variety of subscribers on the rise, so are figures associated to how a lot time individuals spend on pay platforms: from one hour and 26 minutes in July 2021, to at least one hour and 36 minutes in January 2022. 
This enhance impacts not solely the paid platforms but in addition the free ones, because of which there’s entry to an rising quantity of latest and free on-line video content material. In distinction, customers of those platforms spend about an hour watching free content material (supply: ey.com). 
Looking to the longer term: new locations and methods of doing on-line video  
Device use continues to be linked to the kind of platform used. Eighty p.c of customers of paid platforms choose to make use of Smart TV, whereas the PC is used much less incessantly (25%), and adopted by smartphones (23%).  
The means free platforms strategy content material is totally different: content material is usually quick in length and viewing can also be completed on the go, which is why the smartphone remains to be probably the most used machine (44%) (supply: ey.com). 
We have already talked about Smart TVs and famous how this machine is taking on by way of how viewers take pleasure in on-line video content material. Today’s TV is a part of a panorama that has expanded and developed. Consider that as many as 10 million Italians go browsing to the small display screen to look at content material on YouTube.  
And by way of time for watching streaming content material amongst totally different units, TV ranks first, at 56%. According to Sensemakers’ knowledge, Connected TV will increase its weight within the case of:  

households with kids who stay with them (63%)  
age group 35-64 (58%)  
excessive degree of schooling (57%)  
full-time staff (62%) 

In quick, the developments are clear. In addition to new “locations,” firms may even want new methods of constructing on-line video content material, and that is the case with Rai Cinema. 
The Rai Cinema case
Rai Cinema, which already started experimenting within the Metaverse in 2019, is launching a VR (Virtual Reality) app, changing into one of many first media firms to put money into the digital universe. Connecting cinema with new audiences and maintaining with technological improvements is a brand new and interesting solution to attain even youthful audiences and broaden the cinema expertise in all its types. 
The platforms are free and accessible from cellular and PC, and customers can immerse themselves within the pursuit of an area solely devoted to them, watching movie content material, exploring iconic locations and objects, and taking part in streaming occasions by means of their avatar.  
In addition, by means of devoted area on the National Museum of Cinema in Turin, guests can see the 3D Exhibition impressed by the Manetti bros’ movie Diabolik, and followers may even see a particular lower of the movie. 
It’s clear how this type of expertise more and more pushes firms to rethink the best way they strategy their customers, providing experiences which can be personalised, interactive, and partaking.  
Conclusion 
In this submit, we’ve got seen an infinite enhance within the consumption of on-line video and the adjustments in our habits and how we take pleasure in this content material. 
All of that is embedded in a context of digital revolution and technological innovation that even the top of the pandemic has not been capable of cease.  
We can conclude by saying that the potential of video content material is clear and that the secret’s to reap the benefits of all the brand new applied sciences at our disposal to create more and more memorable experiences.  
 
 
 

https://www.doxee.com/weblog/video-marketing/online-video-between-evolution-and-disruption/

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About the Author: Amanda